Rationing:
World War Ii impacted virtually every aspect of American life and fashion was no exception. In 1942, the United States imposed a rationing law similar to the one Great Britain had implemented the old year, limiting, among other things, the amount of fabric that could be used in a particular garment. Materials along with wool, silk, leather and a fledgling DuPont Corp. Invention called nylon were diverted for use in uniforms, parachutes, shoelaces and even bomber noses.
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Jackets could be no more than 25 inches in length, pants no more than 19 inches in circumference at the hem, belts no more than two inches wide and heels no more than an inch in height. Hemlines rose to the knee in an exertion to conserve fabric. Buttons, cuffs, pockets and decorative details like ruffles and lace were used sparingly. Women wore shorter, boxy jackets for a V-shaped silhouette reminiscent of forces uniforms. Even Hollywood traded explain costumes for simplified designs, a move many claimed lent movies a new air of realism.
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Body Drama: Real Girls, Real Bodies, Real Issues, Real Answers Overview
From fashion magazines to taboo Web sites, curious young women have access to tons of old wives' tales about and thousands of airbrushed and inaccurate images of the female body—misinformation and harmful portrayals that can lead to low self-esteem, self-destructive acts, or even disturbing plastic surgery procedures. Teaming up with a leading physician specializing in adolescent health issues, Harvard graduate and former Miss Virginia Nancy Redd now offers a down-to-earth, healing, and reassuring response to those damaging myths. In Body Drama, Redd gives girls insight into the issues they're often too ashamed to raise with a doctor or parent. She also reveals her own experiences with the culture of "American beauty," and shows readers all the many versions of "normal." From body hair and bras, to acne and weight issues, along with crucial issues such as the importance of a healthy self image, Body Drama is a groundbreaking book packed with informative fast facts, FYIs, how-tos, and moving personal anecdotes as well as hundreds of un-retouched photographs. A highly visual book, it’s the first of its kind for women: filled with real information and real photographs of real bodies, to celebrate all our different shapes and sizes.
Named by Glamour magazine as one of America’s top-ten college women "most likely to succeed—at anything," Redd has spent the most recent years of her life on a mission to tackle the issues least discussed but most significant in young women’s lives. Celebrating the many versions of "normal," and replacing seriously erroneous information with the honest, medically proven truth in a language all girls can understand, Body Drama dares to empower a new generation—with facts instead of fantasies, and the priceless gift of self-knowledge.
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Nylon:
As soon as it was introduced in 1938, women embraced artificial nylon as a transfer for silk stockings. In the early 1940s, however, with silk already diverted to the war effort, the government recognized similar uses for nylon and commandeered it as well. Women responded by coating their legs in tan makeup and drawing lines up the backs of their calves to mimic seams. By the time the war ended and stockings returned to store shelves, nylon had come to be a generic term for hosiery.
Swing skirts.
The swing skirt had a round cut designed to look best in full jitterbug twirl. Swing skirts were a tasteless sight on Uso dance floors as young women danced with uniformed men to the jazzy horns that characterized the Big Band Era. Housewives were known to wear a more conservative version of the swing dress, sometimes in polka-dot or tiny floral prints.
Hats:
Hats became one of the few ways to express private style with minimal resources. They were worn in a wide range of styles and personalized with scraps of foil, sequins, netting, paper and string.
Hair and makeup:
Hairstyles became more explain as women sought ways to divergence their dull wardrobes. Shoulder distance or longer hair was rolled into involved shapes and secured with bobby pins. Screen sirens like Lauren Bacall, Veronica Lake and Rita Hayworth popularized side parts and finger waves. Makeup was dramatic, characterized by matte foundation, powder, heavy brows and appealing scarlet lips.
Platform pumps:
The wartime shortage of leather and steel forced shoe designers to get more creative and, as a result, shoes were cobbled from materials fluctuating from crocodile hide to cork. Shoes were more utilitarian than stylish, with low heels and diminutive color choices. By the mid to late 1940s, platform pumps with high heels in T-straps, ankle straps or open toes had substituted the dowdy wedgie with its flat shape and thick cork soles.
Menswear as womens wear:
A amount of men may have spent the first half of the 1940s in uniform, but their civilian clothes came in handy for the women who filled their home-front jobs. Women raided the closets of absent men and tailored the suits to fit themselves. McCalls even introduced a pattern aimed specifically at modifying a masculine suit to fit feminine curves. Suddenly, the sexually ambivalent look pioneered in the late 1930s by Katherine Hepburn and Marlene Dietrich was radical no more. The emergence of the dress pattern and electric sewing machine led women to make their own suits from scratch, opting for gabardine due to the scarcity of wool. Many with physically demanding installation jobs soon began wearing practical pants and Rosie the Riveter jeans.
Sweaters:
By the mid-1940s, many women had abandoned the single-piece corset in favor of panties and structured bras that lifted and accentuated the bust line. In 1946, a well-endowed Jane Russell appeared onscreen in a cantilever bra designed by Howard Hughes, prefiguring the bullet-bra 1950s and the reign of the sweater girl. Loose-fitting cardigans were also popular, particularly on college campuses.
Sportswear:
The virtual disappearance of French fashion houses while the war led American designers to eye their own creativity. Designers like Bonnie Cashin and Claire McCardell were instrumental in the creation of sportswear, that singularly American look featuring coordinated separates that could be worn in layers or in discrete combinations. The trend not only gave women increased options and made it appear as if they had more clothes than they verily did, but also blurred the line between couture and ready-to-wear by showing women they could be both chic and comfortable without spending a fortune.
The New Look:
By the late 1940s, women craved a return to glamor and designers obliged with swirling skirts and shimmering evening gowns inspired by film stars like Ingrid Bergman, Barbara Stanwyck and Joan Crawford.
In 1947, French couturier Christian Dior approximately single-handedly brought an end to wartime austerity with a fashion line observers christened the New Look. Severe angles were substituted with curves, hemlines dropped back below the knee and skirts were generously draped. Structured undergarments were key to the New Look, which featured broad shoulders, cinched waists, emphasized bust lines and padded hips. The pencil skirt was a figure-hugging alternative to bouffant skirts. Men, too, longed for freedom from conservative tailoring in khaki and olive drab. They found relief in wide-legged trousers, full-length coats and suits in an array of colors. Both mens and womens trousers featured higher waists, widely cut legs and cuffs and came in textured tweeds and jewel tones.
The New Look met with protest from women who had grown accustomed to baring their legs and were disinclined to cover them back up. Moreover, the opulent, fabric-rich designs seemed wasteful in divergence to wartime fabric restrictions. The desire for convert prevailed, however, and the look flourished throughout much of the 1950s.
Top Ten Fashion Trends From the 1940'sHouse Session 2011-03-29 (19:44:26-20:45:40) Tube. Duration : 61.25 Mins.Keywords: C-SPAN
